Il Maestro Daniele Maffeis fra suoni, parole e immagini
Ulisse e Penelope (Il sospetto)
25 luglio 2024 ore 20.45
Teatro alle grazie, Bergamo
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Il Maestro Daniele Maffeis fra suoni, parole e immagini
Ulisse e Penelope (Il sospetto)
28 luglio 2024 ore 18.00
Monastero di Astino, Bergamo
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Il Maestro Daniele Maffeis fra suoni, parole e immagini
Ladecat Duo
2 agosto 2024 ore 20.45
Municipio Alzano Lombardo
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COMPOSITIONS FOR ORCHESTRA

The four volumes into which the tome is divided contain the orchestral compositions with a larger ensemble; for many of these the choise of the symphonic poem free form can be read as a natural consequence of the improvisational practice of the organ.

The first includes Fantoniana, a symphonic poem in three movements inspired by the wooden sculptures of Andrea Fantoni; in the second Simphonicum nova et vetera, orchestration of an organ piece created to accompany the vision of some paintings by Ernesto Bergagna’s paintings inspired by Marian litanies; in the third we find a composition of the 10 variations for orchestra (see vol. II) and the choral prelude and fugue written during his studies at the Conservatory of Milan; the fourth includes three pieces, Sella in Valsugana, Bernadette, Capodanno, also available in vol. II and IV and the anastatic reproduction of the first draft of a piece, Dei sepolcri (inspired by Foscolo’s poem), a draft of a symphonic poem that has never been orchestrated.

> TOMO I
Fantoniana-Poema sinfonico
in tre tempi
> TOMO II
Symphonicum nova et vetera
Litanie
> TOMO III
10 Variazioni per orchestra
Preludio, Corale, Fuga
> TOMO IV
Sella in Valsugana
Bernadette – Capo d’anno

VOLUMI > 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18